Colin Foster's Mathematics Education Blog

28 April 2022

Tangible contexts for mathematics

Do contexts help students to understand mathematics or do they just make it harder for them to untangle the mathematics from all the extraneous information? I think the answer is yes – both of these happen on different occasions. So, what is it that gives some contexts the potential to be powerfully illuminating?

I think the answer is not ‘relevance’ to a student’s personal interests. Relevance might be motivating, possibly, but it doesn’t necessarily make the context more illuminating of the mathematics. That way lies a ‘learning styles’ kind of fallacy, that every student needs a different context that is just right for them, and the magical right context will somehow make everything clear to them. I don’t think that’s right. And anyway, students often seem more switched on by contexts that take them out of their existing worlds (e.g., spaceships, dinosaurs, unicorns) than those which merely reference things they are already familiar/bored with. So I don't think matching personal interests is the most helpful approach. I think it's more likely that generally most students are helped by the same illuminating, well-chosen contexts, and not really so much by others.

Ratio and multiplicative/proportional reasoning

Let’s take ratio or proportional/multiplicative reasoning as an example. This is widely acknowledged to be a (or possibly ‘the’) central concept in lower secondary mathematics. And something that many students really have a weak grasp of. If you wanted a concrete context to help students make sense of this area, what would you pick? If you opened a textbook at the ‘ratio’ chapter, what contexts would you expect to find?

Of course, ratio can be applied to all sorts of contexts, and it is important to do this and let students see how ratio can be relevant and important in a wide range of areas. That is fine. But what I am thinking about here is contexts that are deliberately used to try to develop students’ understanding of what ratio is and how it operates.

The problem for me with, for example, money as context is that if the ratio of money spent by, say, Usha and Sam is 3:1, and the ratio of money spent by Dave and Priya is also 3:1, it is quite hard to capture in words (or in pretty much any other way) what specifically it is about Usha/Sam and Dave/Priya that is the same, given that these ratios are the same. The ‘same ratio’ is a highly abstract concept here. So, although I think that money might at some point be a worthwhile context for using ratio, I don’t think it’s helpful for understanding what ratio is. My test is that I need to be able to complete the sentence: “When the ratios are the same, the _____ is the same” with something highly tangible and familiar (not mathematical) going into the blank space. For this reason, I think that most discrete ratios (money, different coloured beads on a string, different kinds of animals on a farm, boys and girls in a class, etc.) are not so useful.

Tangible context: paint

Instead, I think the ratios of continuous quantities are much more useful to begin with, and, in particular, my go-tos are always drinks (Foster, 2007) and paint. The fact that most students probably never mix their own drinks, and even professional decorators rarely mix pots of paint together to make new colours (and when students mix their paint in art, this would be by eye) is irrelevant. The point of the context is not that it’s something students do every day, or even ever. The point is that it’s easy to imagine (what Realistic Mathematics Education calls 'realistic', and which means something closer to 'realisable').

The reason that I think these contexts are useful is that:

• “When the ratios of red paint to white paint, say, are the same, the paint is the same colour.” and
• “When the ratios of orange juice to lemonade, say, are the same, the drinks taste the same.”
And everyone knows what these things mean. This means that you can have a discussion about various hypothetical mixtures of red and white paint, or fizzy orange, and you can initially completely avoid the word ratio and any 'rules' about when 'ratios' are or aren’t equal. You can just ask: “Would they be the same colour?” or "Would they taste the same?", and everyone knows what you mean and can engage in the thinking that you want them to do.

With paint, I find that having the two colours as red and white is particularly useful, because you then have the word ‘pink’ available, in addition to talking about ‘redness’ and ‘darker/lighter’. This all helps the discussion to focus initially on the mathematical thinking, rather than terminology. Once students appreciate that 2:3 and 20:30 and 1:1.5 and 4:6 are all ‘the same colour’, then it is natural to try to capture this ‘sameness’, and we can use a word like ‘ratio’ to do so. But doing it the other way round, beginning by stating that 'We say that' 2:3 and 20:30 and 1:1.5 and 4:6 are all ‘the same ratio’ invites students to ask, “What do you mean?” And that puts the teacher in the position of having to do the justifying, whereas really you want the students to be doing this, based on something that they have already gained a sense of.

Tangible context: fizzy orange

For the same reason, making fizzy orange using orange juice and lemonade can be another really illuminating context (and you could possibly even do this one for real in the classroom, Foster, 2007). Lemonade is better than water, I think, not just because the mixture tastes better, but because then you can ask, “Which mixture will be fizzier?” as well as “Which mixture will be more orangey?” Really tangible contexts like these do a lot of the work for you. Every child knows that adding more orange juice won’t necessarily make the mixture taste more orangey, if you are also adding more lemonade.

I would often begin a discussion of this scenario by suggesting a few possible mixtures of orange juice and lemonade (as in the table below), and asking students which mixtures would taste the same, and which would taste different. For any ones that they think would taste different, I would ask them which would taste more orangey, and I find that that sometimes causes them to change their minds. You often get to a situation where they think one mixture would taste more organgey, but also more fizzy, and so that causes them to go back and think again.As the discussion progresses, further possible mixtures are usually suggested by the students, and I would add these to the list. The point is to avoid telling students whether they are right or wrong, but to draw on their common sense and life experience to let them figure it out. They know everything they need to know to do this. This then forms a really good basis for more formal teaching of ratio.

For example:

Teacher: Would any of these mixtures taste the same? Are there any you’re sure would taste different?
Student 1: D and E would taste different.
Teacher: Why do you say that?
Student 1: D would taste stronger than E because there’s less lemonade in it.
Teacher: But D and E have the same amount of orange, don’t they, so shouldn’t they be equally orangey?
Student 2: No, because the orange is spread out in more lemonade in E.
Teacher: Can someone else explain what S2 is saying?
...
Teacher: Would any of these mixtures taste the same as each other?
Student 3: A and B would taste the same.
Teacher: Why do you say that?
Student 3: Because they both have 1 more lemonade than orange.
Teacher: Are there any other mixtures with 1 more litre of lemonade than orange?
Student 4: Mixtures C and D.
Teacher: So, would mixtures A, B, C and D all taste the same?
Students: Yes.

It’s likely at this point that some student will raise some doubt, perhaps relating to C being ‘nearly fifty-fifty’. Multiplicative language or thinking tends to appear around this point, if it hasn't already, which can then develop into getting the students to order A, B, C, D and E by ‘orangeyness’.

If this doesn't happen, then the teacher can be more proactive:

Teacher: Suppose I took two containers of Mixture A. How many litres would there be in each?
Student 3: 5 litres.
Teacher: What would happen if I mixed them together?

Every student will appreciate that mixing identical mixtures will lead to twice as much mixture, but that it will taste exactly the same. So this gives us Mixture E. And students will have already agreed that Mixture E must be less orangey than Mixture D, so this provides the nudge for everyone to think more deeply. Mixtures A and D can't taste the same if mixtures A and E taste the same and mixtures D and E don't! The idea that mixing 'identically-tasting mixtures' (still avoiding the use of the word ‘ratio’) will lead to a new mixture with exactly the same taste is highly intuitive, and nobody will ever doubt this. And that kind of knowledge is all that is needed to develop all the necessary ideas of ratio through this kind of discussion.

Tangible context: chromatography

Finally, I think a really helpful science context is chromatography and retardation factor ($R_f$) values (Note 2). There could be potential for some cross-curricular practical work with chromatography paper and water-soluble marker pens. Different inks dotted along a pencil line at the bottom of a sheet of chromatography paper will move at different rates as the solvent soaks up the sheet (Figure 1). Each component will travel at a fixed fraction of the speed of the solvent, and the $R_f$ value of each is defined as

$$R_f = \frac {\text{distance travelled by the substance}} {\text{distance travelled by the solvent}}$$

 Figure 1. Calculating the $R_f$ for the red substance.

This seems to me like a perfect, dynamic scenario for understanding ratio, because molecules of a substance are highly obliging, and obey the rules perfectly (unlike, say, two runners in a race, running at different speeds, who need to negotiate bends and are likely to get tired at different rates). Here, when the ratio is the same, the height above the baseline on the chromatogram is the same (and the substance is likely to be the same). I would be keen to hear from anyone who has used this context as a way to explore ratio with students.

Questions to reflect on

1. What examples of illuminating contexts do you use - for ratio, or for other topics? What is so good about them?

2. When do you feel that contexts do and do not work well? Why?

Notes

1. For a free lesson plan based on the fizzy orange idea, see https://www.map.mathshell.org/lessons.php?collection=8&unit=6230

2. People's recent familiarity with Covid lateral flow tests may also make this easier to grasp.

Reference

Foster, C. (2007, May 24). Make maths sparkle. SecEd, 12. https://doi.org/10.12968/sece.2007.5.902. Available at https://www.foster77.co.uk/Foster,%20SecEd,%20Make%20Maths%20Sparkle.pdf

14 April 2022

Intro-ducing and outro-ducing methods

Welcome to my first blogpost as President of the Mathematical AssociationI am aiming to post to this blog every other Thursday during my year as President, and to address a variety of issues that will hopefully be of interest to MA Members and others across the whole range from early years up to university. That is a tall order, and means that I won't always know what I'm talking about, so please engage with the blog in the comments underneath, put me right when I'm talking nonsense, and make this a conversation. I will try to encourage this by being a bit provocative and controversial at times!

So, let’s get started. And thinking about how to introduce the first post of the blog got me thinking about how teachers introduce methods in mathematics - and also particularly the opposite: namely, how we help learners to move on from methods. And yes, I've invented the word ‘outro-ducing’, because my thesaurus couldn’t find me a word that really captured the opposite of intro-ducing!

I think teachers spend a lot of careful thought on how they will introduce methods to learners, but much less consideration is given to how particular methods might enjoy a dignified exit. You have probably taught many lessons where the main aim was 'to introduce X'. But how often has your main lesson aim been 'to outro-duce' something? “This is the last day on which you will do X - we won't be doing that any more after today." Is that something you would ever do?

It may sound negative to be thinking about removing methods from learners' toolboxes. Why would anyone want to do that? Surely the more methods learners have access to the better? But I don't think that's realistic. Picture having a cluttered toolbox, with new tools constantly pouring in at the top. Some tools are genuinely additive - they expand the range of things learners can do. But others really should displace older tools - and we ought to throw out those older tools that we no longer need. If we don't prune our toolbox, we make it harder for ourselves to find what we need. Do we ever talk about this kind of thing with learners (Note 1)?

Counting on

The problem is that learners at any level can get stuck on an inefficient method, which becomes comfortable for them through familiarity, and it can then be hard for them to 'move on' to more powerful approaches. I will take an example from primary/secondary school, but please substitute your own example that is relevant for the ages you work with.

It is important for young children to learn ‘counting on’ as a powerful strategy - far more powerful than 'counting all'. So, to work out $5 + 3$ they would begin with the larger number, 5, and say “6, 7, 8”, so the answer is 8. For young children, this is not trivial, and there are all kinds of pitfalls, such as starting counting the 1 on the 5, rather than the 6, and obtaining an answer of 7. The business of counting up to 3 while saying “6, 7, 8”, rather than “1, 2, 3”, is really quite complicated. This is all important to take time over and work on carefully. However, what do we do when we find older primary or even secondary-age learners who still seem wedded to counting on as their preferred method? Of course, they have been introduced to many other, more efficient, methods over the years. But they trust ‘counting on’ more than any of these. They are more comfortable with it, and believe that, for them, it is more reliable. This favoured method then becomes a barrier to other methods, and, the more they use it, the more alien other methods feel ("I don't do it that way; I prefer my method").

When I watch a child counting on to work out something like $14 + 14$ (“15, 16, 17, …), I can't help feeling that we are wasting their time. Suppose they reach the answer 29 - what does the teacher do? It is easy to feel sorry for the child and say something like, “Ooh, nearly. Try that again.” More wasted time as they repeat the process, and, even if they get it right second time, what do they learn? A systematic error, such as a fencepost error (Note 2), getting 27 because they ‘count the 14’, should be addressed explicitly, but if their working memory has simply been overwhelmed by the task, or they just made a slip, then what does repeating it achieve? Errors like this are a feature of the method, rather than the child, when used on numbers as large as this; if I had to do $14 + 14$ that way, I would also be slow and possibly inaccurate. Assuming that the learner just needs more practice simply traps them, and lots of mathematics lesson time can be consumed while apparently ‘low-attaining’ learners endlessly 'count on', while learning nothing except that they are apparently not good at mathematics. Until they can succeed with this method (by some measure), they are deemed not yet 'ready' to be urged onto a more sophisticated method.

Getting over the hump

But what is the teacher to do? The learner has been taught more powerful methods but claims not to understand them, or not to like them, or just to be more comfortable with their counting-on method. The problem is that if we simply allow learners to stay for as long as they wish with whichever method they feel most comfortable with, then they are very likely to get stuck on inefficient methods. Any new method is going to feel hard at first, simply because it's new and unfamiliar. Mastering a new method is bound to be challenging initially, even if, ultimately, it might feel far more comfortable than where you were beforehand. Transitioning to a new method is hard because it’s unfamiliar. You are stepping away from your comfort zone, so learners should expect to find the new method harder at first, as there is a hump to get over before you feel the benefits (Figure 1).

 Figure 1. Getting over the hump when learning a new method. You cannot expect to experience the benefits immediately.

Learners need to understand that they can't judge whether they like a new method the first time they see it or try it - it is only when some fluency with it has been developed that they will be in a position to say what they think of it. "This may be your future favourite method, but you can't know that yet!" If we just introduce a new method and ask them what they prefer, they may be very likely to prefer the old method, simply because it’s familiar and it has served them well in the past, particularly if they have low confidence and a history of lack of success in mathematics. We may have to be a bit more pushy than just introducing new methods and hoping they will catch on. We can phrase this positively: “I know you’re really good at doing this by counting on. I’d like to see if you can do it using tens and ones, and I want you to try this method today."

If we do this, we need to be tolerant of the fact that learners trying a new method may initially be less reliable than they were with their old method, since they are not yet fluent with it. A new method may not give instant benefits. So, we might need to expect more errors (or perhaps different ones), at least at the start. So we need to praise the fact that they're trying the new method and not let them feel like they have failed because they are slower and less accurate than they were previously: “Great that you’re using tens and ones to do this. You'll get more accurate as you work at it.” Otherwise, if we (even subtly) reward speed and accuracy, they will want to revert to the old ways ("Counting on just suits me better"). Learning the new method is an investment that will most likely take time to pay off.

People often talk in terms of 'scaffolding and fading', but I think it is not enough just to introduce new methods and hope that the old ones will 'fade away' in the shadow of these new, more powerful methods. Often the old method will persist, and we need to help learners by actively 'outro-ducing' them. Letting some learners spend all lesson working out a handful of calculations like $34 + 27$ by counting on is not teaching them anything useful. It is not helping them withdraw from 'counting on' and transition to 'tens and ones' approaches - it is just reinforcing their dependency on something that is ultimately no longer helping them. It is just contributing to the problem, as they fall further and further behind their peers, who are accessing the more powerful methods. We need to be helping learners through a managed withdrawal from methods that have outlived their usefulness: “I would like to support you in moving from this method to this other method that I know will be harder at the start but in the end I think will really help you.” This doesn’t have to be flicking a switch overnight ‘banning counting on’. The word 'fading' suggests something gradual - which is helpful - but also perhaps something that happens naturally, without any intervention - which is, I think, less helpful. If you think of a toddler who has got hold of something they are not allowed to have, like a pair of scissors, then the ideal thing to do may be to distract them away from it with something bright and even shinier. But, while doing this with one hand, you might still need to use your other hand to gently prise their fingers away from the scissors. The attraction to the shinier object might do some of the work, but not all.

Planning the outros

None of this is saying that certain methods should never have been taught (see Foster & Ollerton, 2020). Outro-ducing a method your colleague painstakingly intro-duced years previously is no reflection on their judgment as a fellow professional. If you had been the teacher then, you would also have taught that method. Many methods are important - necessary even - for a time, and then the point comes when they need to be retired. The learner who is now wedded to 'counting on' was probably previously committed to 'counting all', and somehow made the shift from that. So, moving on from 'counting on' is certainly not saying that ‘counting on is bad’. But, when a particular method seems to have passed its use-by date for a particular learner, our role may be to help them say goodbye to it. All of this is obviously a matter of judgment for the teacher. We don’t want to accelerate learners prematurely onto formal methods like column addition that they don’t understand (Foster, 2019). But building understanding of place value needs to be actively worked on, and leaving learners counting on for years doesn't do this.

Two of the most important parts of a piece of music are the intro and the outro. The quality of the intro determines whether the listener will continue listening or click ‘next’; the quality of the outro has a strong influence on the listener’s memory and overall perception of the piece. I suspect that good outros are harder to write than good intros - look at how many popular songs end by looping a repeat of a couple of lines and fading down the volume. Ending things well can be difficult - personal relationships sometimes drift along because neither person knows quite how to end it. A good host at a party needs not just to be hospitable and welcome all the guests in, but also occasionally to boot out guests who’ve overstayed or had too much to drink! Waving goodbye to methods that learners have become accustomed to over years is hard and may feel like pulling teeth, but it is just as important as introducing them to new methods.

Questions to reflect on

1. Are there methods that your learners use that you wish they would move on from?

2. Do you recognise the challenge of 'the hump' (Figure 1) when learners encounter new methods?

3. How might you help your learners to let go of mathematical methods that seem to have outlived their usefulness for them?

Notes

1. Of course, one exception to throwing out old tools is when you happen to be a mathematics teacher. You still need to know how to do things in 'less sophisticated' ways, because you will have learners who are working in those ways. Saying, "Oh but I don't do it that way" doesn't work if you are a teacher!

2. A fencepost error is an "off-by-one error" caused by incorrectly including or excluding a boundary value (e.g., for 4 fence panels you need 5, not 4, fence posts).

References

Foster, C., & Ollerton, M. (2020). Mathematical white lies. Mathematics Teaching, 272, 24–25. https://www.foster77.co.uk/MT272Foster&OllertonMathematical_white_lies.pdf

Foster, C. (2019). Doing it with understanding. Mathematics Teaching, 267, 8–10. https://www.foster77.co.uk/MT26703.pdf

Teaching specific tactics for problem solving

This is my final blogpost, as my year as President of the Mathematical Association draws to a close, so I've allowed myself to go on at ...